These early works test the garden as laboratory, ritual device, and technological organism.The core question is direct: where is the line between cure and poison?Across installations combining sculpture, homemade chemistry, elementary robotics, sound, and virtual environments, SPHERE 1 explores the pharmakon — asking whether every technological cure carries its own toxicity.
It preserves and destroys.Drawing on anthropological ideas about purity and contamination, the installation frames cleanliness as cultural construct rather than fixed state.
