Surveillance is not presented as spectacle, but as ambient condition.These installations mark an early commitment to hybrid forms, sculpture, electronics, network systems, and sound, operating as unified organisms.SUPERMONO 2/3An audio-visual sculpture composed of black fleece objects embedded with sensors, speakers, and transmitters.The forms resemble soft hybrid creatures, each carrying a technological implant.
These hybrid creatures, part anthropomorphic, part zoomorphic, function as aestheticized receivers of surveillance flow.OSCILORAMA exposes how monitoring systems are normalized and absorbed into everyday experience.
