Iconic gestures of dematerialization reappear as unstable digital artifacts: monochromes, abstract geometries, symbolic containers of authorship.The work contrasts rapidly obsolete software systems with conceptual art’s investigation of immateriality and permanence.
Movements draw from martial arts, Zen practice, and theatrical minimalism, yet remain governed by simple algorithmic triggers.Avatars observe and activate one another, translating Sartre’s notion of “the look” into machinic interaction.
